
jacqueline Fritschi-Cornaz
The Swiss Jacqueline Fritschi-Cornaz is a film, theater actress and producer, who can look back on more than 30 years of professional experience behind the camera.
Within the scope of her professional work, she has founded together with her husband the Zariya Foundation and initiated the 100% non-profit film ‘Mother Teresa & Me’. The humanitarian feature film is about Mother Teresa and the young Indian Kavita, about peace and justice. All proceeds from the film support poorest children in education and health, starting in India, where Mother Teresa established her work.
The foundation for the moving film was laid when Jacqueline Fritschi-Cornaz traveled to Mumbai
for the first time. As she drove through the Indian city to see the Bollywood studios, she was surrounded by street children. They knocked on the window and offered her flowers, magazines and toys for sale.would make a difference. The leading actress focus on the complexity of Mother Teresa in her work. She consciously wanted to portray her in all her facets and also show her controversial sides. In doing so, she skilfully uses her talent to transform into different characters and shows and in another masterpiece her acting talent.
Shocked by the poverty and misery that she was confronted with, the actress decided to take action. She was inspired by the image of courage-Mother Teresa in one of the Bollywood Studios.
MUTTER TERESA UND ICH
Two parallel stories, which are interwoven over generations. Both women realize their dreams despite serious personal doubts and stay with their vocations. Mother Teresa’s (Jacqueline Fritschi-Cornaz) loss of faith inspires the wild Kavita (Banita Sandhu), a young British woman of Indian origin, in present-day Calcutta to discover true love and compassion. For Kavita, a spoiled modern young woman of Indian origins who lives in London, love is an illusion. Between an unsatisfying romantic relationship, the plans of her parents' plans to marry her within Indian tradition, and an unexpected pregnancy, Kavita is torn apart by conflicts. Should she abort her baby or not?
Unable to take the radical medical step, Kavita decides to return to the place where she was born, to find comfort in the arms of Deepali (her now very old former nanny (Deepti Naval) who herself was adopted as a child by Mother Teresa in 1948 when she began to work in the slums. While Deepali tells the stories of her past Kavita begins to retrace the beginnings of Teresa's life in the the slums of Calcutta.
For the young Mother Teresa life changes dramatically, when she hears the voice of Jesus: He commands her to work for the poor in the slums. She does not question this ordeal. Following the call, she turns her back on her former life and dedicates herself to the poor in the slums of Calcutta.
After she founded her new order "Missionaries of Charity", Teresa can hear the voice of Jesus
no longer. She feels more and more abandoned by her beloved, her husband her guide... and doubts the very existence of God. She loses faith. Teresa hid her anguish behind a smiling face of the faithful and was in doubt for the rest of her life. She nevertheless continued her work with full dedication to the poorest of the poor. An act of faith in herself. She shared her loss by writing to confessors, letters that were published only after her death, letters that Kavita learns about in modern times.
The story of Mother Teresa influenced Kavita's decision on how to deal with her pregnancy, her life her lovers and her Family to move forward. She discovers compassion, she finds happiness.
More info at: www.mother-teresa-and-me.film

Coco Chanel welcomes world-famous personalities from the worlds of art and politics to her villa ‘Respiro’, where she passionately creates a revolutionary fashion that is still unmistakable today. As a patron, she financed Igor Stravinsky's adaptation of ‘Sacré du Printemps’ and was friends with Dali, Picasso, Modigliani and many other bohemians. She collaborates with the Nazis, is arrested and is only released thanks to her friendship with Winston Churchill. She only drinks champagne in two situations: when she is in love and when she is not! This entertaining and inspiring one-woman play, lasting about an hour, combined with a small exhibition and a champagne aperitif, invites the audience to feel for a moment like a guest in one of Coco Chanel's most famous villas.
This attractive, varied programme is also ideal for company/customer events
Kontakt:
Email: info@jfritschi-cornaz.ch
Tel. +41(0)79 323 89 57
Tour dates 2025
CHANEL⁵
A portrait in five scenes
Grand Casino, Lucerne:
Wednesday, 8 October 2025
Thursday, 9 October 2025
Friday, 10 October 2025
Saturday, 11 October 2025
Villa Belvoirpark, Zurich:
Wednesday, 5 November 2025
Tuesday, 11 November 2025
Thursday, 3 December 2025
Wednesday, 17 December 2025
Tuesday, 13 January 2026
Wednesday, 14 January 2026
Tour dates 2024
The premiere weekend
will take place at Villa Schönfels, Oberrieden, on 16./17.11.24.
more info about the premiere ....
Further performances 4./5./11./12./18./19. December 2024;
New Year’s Eve performance: 31. December 2024
at the Villa Belvoirpark, in Zurich.
EARLY
THEATRE PROJECTS
Mord im Gewächshaus
Musik-Theater von und mit Jacqueline Fritschi-Cornaz, Einfraustück mit Musiker, Leo Rusterholz, Piano/Violine
Supervision: Bettina Lohmeyer und Barbara Müller-Zwygart, Schweizer Tournee inkl. Theater Stok, Zürich (2015-2019)
Mondfenster
Musik-Theater Einfraustück mit Musiker, Leo Rusterholz, Piano/Violine
Regie: Barbara Schneider, Herzbaracke, Zürich (2011)
In der Bar zum Krokodil, Revue
Nanette, Hauptrolle, Regie: Ernst Jenni, Jungbrunnen Theater, Zürich (2008-2009)
Der Bettelstudent von Carl Millöcker
Kornett v. Richthofen, Regie: Kurt Rösler, Operettenbühne, Hombrechtikon (2006)
Ibicaba und Crevetten
Von und mit Barbara Tellenbach/Jacqueline Fritschi-Cornaz
Esther, Hauptrolle, Regie: Barbara Schneider, Schweizer Tournee inkl. Theater Rigiblick, Zürich (2004-2009)
Klick - die Sehnsucht im Internet
Monika, Hauptrolle, Text: Susanne Stalder, Regie: Barbara Schneider, KKL Luzern (2003)
Himmelwärts von Oedön von Horvàth
Teufel, Regie: Brigitte Meyer, Zürich (2002)
Laura und Lotte von Peter Shaffer
Laura, Hauptrolle, Regie: Barbara Schneider, Theater am Hechtplatz, Zürich (2001)
Bodies von James Saunders
Helen, Hauptrolle, Regie: Marco Hausammann- Gilardi, Sommercasino, Basel (2000)